Referencing the traditional artform of Chinese cork carving, this work echoes the themes often represented in those traditional works – the profound interconnection of nature, humanity, and spirituality - philosophies rooted in Taoism and Chinese folklore.

Also incorporated are aspects of Gongshi / Scholar’s Rocks, the tradition of Chinese scholars and artists to collect rocks that resemble the broader landscape, embodying the microcosm of the universe, inviting contemplation and reflection.

Balanced on the rock, the painting depicts a scene of civilisation among nature, is held within the frame of a Tuan Shan or moon-shaped fan. The fans were used as both functional objects and as works of art, with the full moon shape signifying union and happiness.

While creating a work that reflects on the Taoist principles that all living things should live in harmony with the energy of the universe, it is impossible not to
consider the horror of pain and suffering caused by multiple simultaneous conflicts that are impacting so many communities at this moment.

The title of the work is a quote taken from a speech by the UN High Commissioner for Human Rights.
“Conflict, wars, violence. The right to peace is the mother of all human rights. Without peace, all other rights are quashed. It is urgent that we devise ways to counter warmongering, fear and the illogic of escalating hatred and hostility – which bring short-term profit to a few while ruining the lives and rights of millions.”